Search results for " Libretto"
showing 9 items of 9 documents
Introduzione a "Drammi comici per musica III 1754-1755"
2016
The six librettos included in the third volume of Goldoni’s “Drammi comici per musica” (in the context of the “Edizione nazionale delle opere di Carlo Goldoni”) date to the years 1754-1755, a crucial period in the career of the Venetian author. The first chapter discusses Goldoni’s ideas on musical dramaturgy as exposed in the preface to “De gustibus non est disputandum” and in other theoretical texts. Each libretto (“De gusibus non est disputandum”, “Il filosofo di campagna”, “Lo speziale”, “Il povero superbo”, “Le nozze” and “La diavolessa”, as well as “Li matti per amore”, not given in print but available on the website www.carlogoldoni.it) is examined in a separate chapter, with special…
TREND DI NOTIFICA DELLE PRINCIPALI TOSSINFEZIONI ALIMENTARI IN CALABRIA E SICILIA PRIMA E DOPO L'ABOLIZIONE DEL LIBRETTO DI IDONEITA' SANITARIA PER A…
2012
L'ABOLIZIONE DEL LIBRETTO DI IDONEITA' SANITARIA PER ALIMENTARISTI PUO' AVER INFLUENZATO IL TREND DI NOTIFICA DELLE TOSSINFEZIONI ALIMENTARI? ANALISI…
2011
Fausts: opera
1903
SISTEMI VERDI COME CULTURA RIGENERATIVA: STRUMENTI E TECNOLOGIE
2021
The study analyzes and proposes in the historical and in the area immediately to it adjacent, the "values-nature" of the buildings through the creation of gardens wall and vertical gardens in the elevatiloy of non-monumental buildings. The study deepens in particular the specificity of the garden roof and the garden vertical, recognizing benefits and critical issues that distinguish these green systems for construction. It also deepens the concept of resilience in close relationship sustainability and regenerative design applied to the built environment. The theme of regenerative design is studied and promoted as an adaptive strategy at the design stage; it requires you to leave nature stre…
"Scrivere a gusti del popolo". L'Arte Nuevo di Lope de Vega nell'Italia del Seicento
2007
The influence of Spanish Theater from the siglo de oro on Italian Seventeenth-century opera is stil an open question. Librettists (for example, G. F. Busenello in his Didone of 1641) speak of "Spanish customs" to claim exemption from Aristotelian rules; furthermore, several music dramas that were well-known thoughout Italy both in print and on stage derive - more or less directly - from Spanish theatrical texts. A particular aspect of the whole question can be seen in the popularity in Italy of Lope de Vega's Arte nuevo de hacer comedias en este tiempo, a discourse on poetic written between 1604 and 1608 for the Academia de Madrid which was published in Madrid in 1609 and only two years lat…
Ancora sulla fortuna de La Fuerza lastimosa nell’opera del Seicento: Alfonso I di Matteo Noris (Venezia Napoli Palermo)
2020
Lope de Vega’s play, La fuerza lastimosa, written around 1599 and first published in 1609, was very popular in Seventeenth-Century Italy, as research by Fausta Antonucci and Salomé Vuelta has demonstrated. Several Italian adaptations are already known, among which a dramma per musica, La forza compassionevole, written by Antonio Salvi and staged in Leghorn in 1694. In the same year, another opera based on Lope’s drama was staged in Venice (as Alfonso I) and in Naples (under the title Alfonso il Sesto re di Castiglia). Two years later, this last version was revived in Palermo, again, as in Naples, to celebrate the birthday of King Charles II of Spain. None of these three librettos indicates …
Salvadore Cammarano, Calisto Bassi e «l’orditura del libretto» di Alzira
2023
On August 12, 1845, Alzira, Giuseppe Verdi’s eighth opera, made its debut at the Teatro San Carlo in Naples. Against the composer’s own expecta-tions, the opera—to a libretto by Salvadore Cammarano based on Vol-taire—proved a failure, getting only about 20 performances. Even subse-quent stagings (13 between 1845 and 1858) met with lukewarm reception. A year after the first performance, on August 17, 1846, Calisto Bassi, an experienced librettist and translator, sent some comments on the libretto and proposals for improvements to the publisher Tito Ricordi. In this con-tribution, I aim to discuss this hitherto unpublished letter as well as to re-flect on the dramaturgy of this opera and the …
Teatro del Siglo de Oro y ópera italiana del Seiscientos: un balance
2012
In 1992, during the 15th Conference of the International Musicological Society, a round table about «Spanish and French Theater in Italian Opera of the Seventeenth Century» took place in Madrid. It was a seminal moment in the discussion about the influence of Spanish Siglo de Oro Theater on the Italian Opera of the Seventeenth Century. This influence is today beyond question and is being revealed as an important aspect to understand both the success of Venetian Opera and the dissemination of Siglo de Oro Theater outside Spain. This article aims at illustrating and discussing the results of twenty years of scholarly research on the subject; it also suggests new paths of investigation. En 199…